After taking a week off working on this lovely restoration project, I am excited to bring to you Part Two. If you missed Vintage Restoration ~ Velvet Flocking Part One, please click HERE to read it now. Seeing as this beauty needed a good cleaning and there was some residual velvet fibers in some areas where I had to scrape off the old stuff, I opted to give her a nice mild bath before completing the flocking on the skirt. It is ALWAYS nerve racking when washing vintage clothing as you never know how the fabric will respond to water and chemicals. One product that I have found to be incredibly gentle and always resulted in a great outcome is Dr. Bronners Pure Castile Liquid Soap in peppermint for a nice fresh scent. As I was afraid the pink in the velvet flowers might bleed, I also added some vinegar and ensured the bath water was cold. This definitely did the trick. After hanging the dress to drip dry…it came out beautifully and had zero odor.
Since I had made the stencils previously for the velvet branches on the skirt, I carefully verified if each one still was accurate before tracing on the sheet of heat transfer. With a few spots having breaks in the old flocking, I decided to extend the stencils a bit further to achieve all over consistency. Due to the small nuances in the design, I worked on two sections at a time before proceeding onto the next.
As I cautioned you previously, I made sure there were no scraps of the heat transfer material on the skirt portion before I applied the heat from the iron. One thing I found very useful for cleaning off any loose velvet fibers was a fresh lint roller to ensure the area was 100% clean.
Painstakingly, I trimmed and verified each section to replicate as closely as possible and then applied the heat transfer material with the iron. This time, I left the protective plastic coating on each section until the end so not to damage the new flocking.
The last step was replacing the hook and eye clasp above the size zipper, since the old one was beginning to rust. The end result was even better than I had imagined, it gave this beauty new life for many more years to come.
Over the years, I have steadily amassed a lovely collection of vintage but some did not stand up well with the test of time. These “wounded birds” require a lot of TLC to revive them to be enjoyed for many mores years to come. Very rarely do I take on these big projects myself but when the most beautiful treasures come along, I feel compelled to take it under my wing. Late last summer I was very fortunate to come across this gorgeous vintage 3D floral applique dress, which is quite famous as the lovely Dita Von Teese owns one herself. Sadly, she was in very poor condition with the velvet flocking missing in many areas, several loose seams with a torn zipper therefore the seller decided it was too much for her to take on. Her loss was my gain…but I sure had a big undertaking on my hands.
The very first step was to ensure the dress was structurally sounds before focusing on the esthetics. I inspected every seam and zipper to confirm how much reinforcement was required. The front waist seam was letting go, the side zipper was ripped around the waist area and there was a tiny hole from the strain on the fabric. I suspect someone tried to force the zipper close meanwhile the dress was clearly too small for them. Although I am comfortable around a sewing machine, I decided to ask my mom for help as she knows zippers like a boss. Reinforcing the waist seam was super easy but the zipper mending took some finessing but we were successful. The zipper is sturdy again and fully functional despite missing one tooth on the track. Our inside patch job did the trick and cannot be seen from the outside. I’ll be sewing on a new hook and eye to replace the rusted one as well.
Now onto step two, esthetics! I consulted with the vintage community for recommendations on DIY techniques to restore the velvet flocking that was missing in several areas on the bodice and skirt. With a few suggestions in hand, I eventually landed on sourcing black flocking by the roll online. After watching tutorials and reading reviews on various brands, I decided to use “Silhouette Heat Transfer Material” from Craftdirect.com since no local stores carried it here. Once I had the Silhouette flocking in hand and compared it to the dress, I was confident it would be a good fit for the restoration project.
- To begin, I grabbed some trace paper and a fine Sharpie marker to create the stencils for the appliques. One by one, I traced the leaves on the bodice along with the branch located on the shoulder. Next, I traced the long branches on the skirt portion that were missing from the waist to the middle where the flocking was still present.
- After carefully cutting each stencil out, I then double and tripped checked on the dress to ensure they were correct.
- Since the heat transfer material is meant for a digital cutter, you only need to follow one very important thing…place the stencil on backwards, then trace! Make sure you have very sharp scissors for this part, I used hair scissors as they are more precise for this small detail work.
- TEST!!! Take your first applique and use a scrap piece of fabric to see if it will transfer correctly for your application.
- Using a hot iron (cotton setting, no steam), apply a piece of material over the heat transfer applique, and iron for 45-60 seconds. Let cool completely before trying to remove the protective plastic film. Success…now onto the real thing!!!
- Now trace all of your stencils onto (backwards) the roll of heat transfer material and cut them out very carefully, avoid any burred edges since that will show on the application. I suggest doing them one section at a time, it is less overwhelming that way.
- Take each applique and take the time to triple check that they match perfectly with dress. I had to painstakingly trim each one to mimic the original design, shaving off the slightest amounts to get them just right.
- Make sure all old flocking is scrapped off, I used my fingernails mostly to ensure the fabric would not be damaged. In some areas where there was a lot of patchiness, a sharp kitchen steak knife (not serrated) was necessary.
- Repeat steps 5-6 for each applique. Leave the protective film on until each section is complete to avoid damaging the new flocking.
As you can imagine, this is a very long tedious process and needs to be done precisely for the best results. Restoring the bodice portion of this beauty took approximately 3+ hours. One word of caution, make sure to clear away any heat transfer shaving from your project before applying the heat. This was a small mistake I made which resulted in tiny black marks on the cream fabric that I now have to treat as pesky stains. DOH!
Stay tuned for the completion of this restoration project…
It is hard to believe that we are less than one month away from the Viva Rockabilly Weekend 20th Anniversary!!! This will be our fourth year attending and it will likely be our very last so we are going to enjoy every minute the weekend has to offer. As many of you know, a lot of planning goes into preparing for the big event and it can be a very daunting task for people attending for the first time. Over the years I have shared helpful tips on what to do, what to see, how to pack and much more! If you think I was being sarcastic about outfit planning being done on a spreadsheet, think again! I am busy getting my outfit schedule completed as it truly eliminates the last minute stress on what to pack and wear each day. Luckily I shopped my closet for all outfits this year and simply picked up a few inexpensive vintage accessories from Etsy and Ebay that I can mix and match. Don’t fret if you feel like you have nothing to wear, Viva goers wear jeans and t-shirts to evening gowns…everyone is welcome!!!
Check out our past Viva blog posts that you may find helpful in your preparations for Viva 20 and/or in the years to follow.
Let the Viva Las Vegas Rockabilly Weekender Prep Begin
Part Two ~ What to do at Viva!
Part Three – What I Wore at Viva 17
Part Four – Viva 17 Recap
Are You Ready for Viva 18???
Viva 18 ~ Week In Outfits
Viva 18 ~ One Vintage Lovers’ Haul
Viva 18 Recap ~ Part One
Viva 18 Recap ~ Part Two
Viva Las Vegas 19 Recap
Please follow me on Instagram for live updates from the Viva Rockabilly Weekender 20th anniversary & of course vintage fashion ! A full recap will be on the blog in the weeks to follow.
Do you ever find yourself being drawn to certain elements or motifs that subconsciously bring back fond memories? For as long as I can remember, I always adored things which symbolized Autumn…my most favorite time of year. One of those elements is the classic maple leaf; it not only reminds me of Autumn but also an iconic symbol for us Canadians. Slowly, I have collected some lovely vintage maple leaf accessories but felt there was a void that needed to be filled when it came to my wardrobe. For ages I lusted over the Pinup Girl Clothing Butterfly Dress in Leaves Print but never took the plunge until just recently.
Available in sizes XS-4X ~ MSRP $180
Although my measurements (b36/w27-28/hips40-41) have fluctuated over the last little while, I still fall within PUG’s size Small in their dresses. The Butterfly Dress is super stretchy but it is strongly recommend to size up if you are in between sizes to not to distort the nature of the print. As an added bonus, you will receive the matching turban which previously was sold separately for $64. Thankfully the fit and sizing was right on par with the size chart, the size Small fit wonderfully. The Butterfly Dress features a flirty keyhole opening with elasticized gathered neckline, wide fluttering sleeves, a soft curve hugging and flared skirt, is fully lined in knit crepe, includes a thin black faux-leather belt and finished off with a back zipper closure. Made from a luscious silky smooth knit crepe fabric, adorned with classic autumn leaves on a rich teal background. At 5′-4″ tall, the hemline falls several inches below the knees.
It is refreshing to see more designers like PUG branching out into different styles and allowing us to diversify our wardrobes. Lately I find myself wandering into an earlier era and really loving the sleeker 1940s silhouettes. What kept me on the fence for so long with the Butterfly Dress was the fear that the draping would overwhelm my petite frame and look like I was wearing a sack of potatoes. Thankfully those fears quickly diminished when I finally gave it a whirl. I was more taken aback by the substantial weight of the crepe fabric, this is definitely not meant to be worn on those hot summer days. If you are looking for a little more versatility, the Butterfly Dress neckline can be worn both on and off the shoulders…all depending on the occasion. With the fabric being so clingy to the body, I do think some ladies would prefer to wear a little shapewear to help create a smooth sleek silhouette.
Being a collector of vintage leaf print motifs, it was so much fun to accessorize the Butterfly Dress. I immediately knew my vintage maple leaf celluloid necklace would match perfectly with the colours in falling leaves print along with the Remix It Girl Heels in mustard. Of course not everyone has this necklace so an easy and inexpensive alternative are colourful plastic bangles from local thrift stores or check out Splendette and Bow & Crossbones for wonderful reproduction fakelite bangles.
There is nothing more special than finding gorgeous designs with motifs that one holds close to their heart. The lovely Butterfly Dress also comes in solid colours and two more fabulous prints. If that isn’t enough, PUG recently released this flirty style in the Butterfly Top!